The Salsa Dictionary
Here you can find:
- Names of basic salsa elements, which include Hand holds, Directions,
Actions and Positions;
- A written description of each element;
- A visual example, which allows you to view each element;
- A symbol (or code) for each element taken from our Salsa Language.
Remember that different dancers may use different names to describe the same element. For example, Cuban names can be very different from the NY and LA names. Moreover, dancers who dance the same style can and do use different names for the same salsa elements. Here we tried to select the most commonly used terms. |
Hand holds |
Term |
Definition |
Symbol |
Thumbnail
Click to enlarge |
Normal closed hold |
Dancers are facing each other: the man positions his right hand
on the lady's left shoulder blade and holds her right with his left
with his arm bent. The lady places her left hand on the man's right
shoulder. |
N |
|
Normal open holds |
Dancers hold left to right and/or
right to left. Variations. |
N |
|
Crossed holds |
Dancers hold left to left and/or right to right. Variations. |
C |
|
Term |
Definition |
Symbol |
Thumbnail |
Facing the line of
dance |
Both dancers are positioned facing the line of dance. The dancers
can face each other, face the same direction or face the opposite
directions from each other. Variations.
Variations of the 'directions', where the man and the lady are
facing the line of dance and one of the dancers is positioned behind
the other are also called shadow positions. |
→ ← |
|
Facing perpendicular
to the line of dance |
Both dancers are positioned facing perpendicular to the line of
dance. Such positioning of the dancers with respect to the line
of dance is also called butterfly position. Variations. |
↑
↓ |
|
Term |
Definition |
Symbol |
Thumbnail |
Change of a hand hold |
Swapping from a normal hold to a crossed hold or vice versa. |
X Hands |
|
Change of directions |
Swapping places by walking to the opposite side. |
X Directions |
|
Cross body lead |
The man normally leads the lady across to the opposite side: from his right side to his left. Variations. |
XBL |
|
Turns |
There are many variations of turns for men and ladies. Turns can be broadly classified according to the direction (right or left) and the number of turns (1/2, 1, 1½, 2, 2 1/2 , 3 etc.). Turns can be executed with partners holding each other or in NO hold (free turns). Variations. |
@ |
|
Duck |
The man or the lady duck down and normally pass under the arm. |
Duck
|
|
Check |
Checks are executed by the man and involve the man stopping the lady midway through a move (e.g. a turn). Variations. |
! |
|
Comb |
Combs are executed by the the man and involve the man bringing the lady's hand over her or his own head. Variations. |
E |
|
Copa or 'In and Out' |
Copa is an action of bringing the lady in and
leading her out. This action is called 'Copa' or 'In and Out' in salsa.
Variations. |
Copa |
|
Hand drop |
The man drops the lady's hand and normally catches it with the same or the other hand. |
Drop |
|
Hand throw |
The man throws the lady's hand up. The lady'’s hand goes up and then falls down. |
Throw |
|
Natural top |
The dancers break, come back together into a normal closed hold and execute a full right turn. Typically, the turn ends up with another break. |
Top |
|
Walks |
One of the dancers walks on a straight line or walks around his/her partner. Variations. |
Walk |
|
Term |
Definition |
Symbol |
Thumbnail |
Hammerlock |
Hammerlocks are positions where the dancers hold each other with
both hands with either the man or the lady having one arm
bent behind self (broken arm), while holding the hand of the
partner. Variations. |
HL |
|
Half
hammerlock or Broken arm |
Half hammerlocks are very similar
to the hammerlock positions; the only difference is that only the
bent arm is held. Variations. |
HL |
|
Embrace |
Embraces are positions where one of the dancers
has both hands crossed behind or in front of self while holding
both hands of the partner. Variations. |
Embrace |
|
Arm lock or Arm hook |
Dancers are facing each other and the lady's arm(s) are hooked
behind the man's shoulder(s). Variations. |
Lock |
|
Arm loop |
Dancers are facing each other and the man has his arm looped on
the lady's shoulders. The Arm Loop is often
used after a turn for the lady. Variations. |
Loop |
|
Sombrero |
Dancers are facing the same direction with the lady positioned
on the right or on the left side of the man. Both hands are connected
in a crossed hold and rest on the shoulders of the dancers. Variations. |
Sombrero
|
|
|